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Film & Motion

The Bunny Trailer as a Lesson in Editing

Sana Iqbal
1 min read
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Cover photo for “The Bunny Trailer as a Lesson in Editing”

Thirty-two seconds, eleven cuts, and not one of them wasted. We use this trailer in every editing workshop.

What to watch for

Constraints are underrated. A fixed word count, a single typeface, or a two-colour palette forces decisions that an open brief lets you postpone forever.

Small improvements compound. A page that loads a little faster, a heading that reads a little clearer, and a form with one fewer field all add up.

The film is released under a Creative Commons licence, so you can download it, study it, and share it freely.

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Comments · 10

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  1. Grace Whitfield ·

    Would love a follow-up post on how you organise all of this afterwards.

    1. Sana Iqbal Author ·

      Good question. We will cover that in a follow-up soon.

  2. Grace Whitfield ·

    This made me dig out my old sketchbooks. Forgot how much I used to draw on trips.

  3. Daniel Osei ·

    Great list. Adding two of these to my reading pile right now.

    1. Nils Berg ·

      Glad it helped. The second pass is where it really clicks.

    2. Sana Iqbal Author ·

      Yes! Same experience here.

  4. Elif Demir ·

    I watched the film again after reading this and noticed so many details I had missed.

  5. Rafael Costa ·

    Thank you for including the code. I adapted it for our docs site in about ten minutes.

  6. Grace Whitfield ·

    This is exactly the nudge I needed this week. Printing the checklist and taping it above my desk.

  7. Daniel Osei ·

    I disagree slightly on the second point, but the rest is spot on. Constraints really do help.