Skip to content
Film & Motion

Agent 327 and Storyboarding for Action

Sana Iqbal
1 min read
2,883
Cover photo for “Agent 327 and Storyboarding for Action”

Agent 327’s barbershop fight looks chaotic, but every beat was planned on paper first. Here is how we read it.

What to watch for

Good tools disappear. The ones we keep are the ones we stop noticing, because they do exactly what we expect every single time.

We try to write for one specific reader. When a paragraph confuses that imaginary person, it usually confuses everyone else too.

Taking notes by hand is slower, and that is the point. The friction forces you to decide what matters before you write it down.

The film is released under a Creative Commons licence, so you can download it, study it, and share it freely.

5
Continue reading

Related posts

All posts
Conversation

Comments · 5

Posting as guest · Sign in
  1. Clara Fontaine ·

    We adopted the no-email-before-ten rule after your last post. Our mornings are so much calmer.

    1. Sana Iqbal Author ·

      Fair point. We went back and forth on that one in the studio.

  2. Priya Raman ·

    Great list. Adding two of these to my reading pile right now.

  3. Elif Demir ·

    Do you have a recommendation for someone just starting out? Everything I find assumes years of experience.

  4. Hugo Martens ·

    Bookmarked. I keep coming back to your posts whenever I get stuck.