A Week of Morning Light on the Coast
For seven mornings we were on the beach before the bakery opened. The light changed every day; the gulls did not.
Deadlines help, but only when they are real. A deadline that everyone knows will slip is just a date on a calendar.
From the post
Gallery
Every frame here was shot on the day and printed without retouching. Click any photo to see it at full size.
Continue reading
Related posts
Shooting Architecture at Blue Hour
Twenty minutes of balanced light and how not to waste them.
Contact Sheet: Rainy Street Portraits
Strangers, umbrellas, and a borrowed 50mm lens.
Textures Found on a Single City Block
Peeling paint, rusted gates, and the patterns hiding in plain sight.
Comments · 10
The photos in this one are gorgeous. What film were you shooting?
Bookmarked. I keep coming back to your posts whenever I get stuck.
I watched the film again after reading this and noticed so many details I had missed.
Agreed, that part surprised us too.
Such a clear explanation. I finally understand why our pages felt sluggish on mobile.
This made me dig out my old sketchbooks. Forgot how much I used to draw on trips.
Yes! Same experience here.
I watched the film again after reading this and noticed so many details I had missed.
I disagree slightly on the second point, but the rest is spot on. Constraints really do help.
I tried this on a client project last month and it saved us at least two review rounds.