Shooting Architecture at Blue Hour
Twenty minutes of balanced light and how not to waste them.
Photographer working mostly on film. Shoots coastlines, streets, and strangers who say yes, then develops everything in a borrowed darkroom.
Twenty minutes of balanced light and how not to waste them.
Tram tickets, tile patterns, and too many drawings of stairs.
Letting one strong image set the palette, grid, and tone.
Strangers, umbrellas, and a borrowed 50mm lens.
A look around the room where the next year of work will happen.
Margins do the quiet work that makes a layout feel calm.
Peeling paint, rusted gates, and the patterns hiding in plain sight.
Thirty rolls, one tripod, and the hour before the town wakes up.
Pens, notebooks, and one keyboard we refuse to replace.
A short loop, a long exposure, and a lot of gulls.